"Dw i'n Crwydro byd...." has had a new outing. A text created as a response to its showing in Falmouth has been added.
It was shown in the Lightroom at the Arnolfini for the Performance Writing weekend. The placing next to Emilie O'Brian's "I'm doing this now" was thoughtful, connections of textile, body, making.
Follow this link for more information on "Dw i'n crwydro..."
A link to its showing at Contexture in Falmouth
a duel, duet, dual performance.
A reading and echoing of an erasure version of Pride & Prejudice [a link to a link for more information on the text] based on movement and space. One reads the other repeats until they can't continue, roles are swapped. Sometimes you hear the cry of mercy - that means stop and swap. A lot of laughter.
Performed with sonic artist Lou Laurens
There are photographs but due to reactions to my actions and words the copyright to show them publically has been withdrawn.
the full unedited half hour recoding - note it was performed at the bottom of basically a very metallic stairwell!
Showing posts with label live art. Show all posts
Showing posts with label live art. Show all posts
Tuesday, 8 May 2012
Tuesday, 29 March 2011
Dw'n crwydro'r byd yn chwilio am nghrud

at Beyond Text: Making and Unmaking Text
Centre for Creative Collaboration
London
January 28th 2011
I sat weaving, a man sat back to back with me reading my words, the words fragmented from their sentences to make new meaning.
We weave our complicated lives? Bad and good, distressing and pleasing. Can we hold it? Are we held by it? Re-making the words I present the difficult side of my life; they can then be held in your hand. Words are spoken. a sense of closeness for the performing strangers, each others movement felt by each other.
weave : leave. weft : left. public : private. truth?

A link to an after writing
follow this link for a bit more information
Arranged 7 curated by Becky Cremin & Ryan Ormonde
Funded & assisted by AHRC: beyond Text; Royal holloway, University of London and The Centre for Creative Collaboration.
Saturday, 31 May 2008
Holy Hiatus



Untitled 6 hour performance
with Louise Laurens
May 22nd 2008, Small World Theatre/Theatr Byd Bychan, Aberteifi/Cardigan
watching for the liminal in repetition.
After some while I chose to do my moving from a chair. I sat, as soon as I started to move it was prayer, contemplation.
Also see set of images: here
Holy Hiatus
Ritual and Community in Public Art.
The moment of crossing the threshold between outer and inner consciousness.
Curated by Ruth Jones
Aberteifi/Cardigan
Alastair MacLennan (Belfast); Simon Whitehead (Abercych); Maura Hazelden (Crymych) with Louise Laurens; Anna Lucas (London); Yvonne Buchheim (Bristol LAND2 Member)
and symposium
for further information see Holy Hiatus web site
and a meander throught the themes and symposium here
Labels:
"holy hiatus",
durational,
live art,
performance
Tuesday, 1 May 2007
Red Riding Wolves
The imagery here was via www.slide.com which has now closed, I will replace ASAP
featuring Louise Laurens and Ailsa Richardson
part of an ointment 'all in a day' event
additional texts are being compiled here
Labels:
all in a day,
live art,
ointment,
performance,
photovisual,
red,
red riding wolves
Saturday, 31 March 2007
with ointment at CAT 2007
The imagery here was via www.slide.com which has now closed, I will replace ASAP
Cardiff Art in Time Show 2007, ointment create Scratch; within Scratch I create I will not
Wednesday, 30 March 2005
Marcheurs des Bois
Marcheurs Des Bois was the second part of an international exchange between artists from Boreal in Quebec, Canada and from ointment artists collective in Pembrokeshire, Wales.


A long bad dream goes grey and feathery I wake sit up and see thick snow falling outside. I come back when I am hungry, hands, arm and feet hurt as I walk. I begin to realise my limitations. The steaming river frosting the alders. The evidence of mammals criss-crossing the snow. Clear skies of stars. A cradling new moon, an egg moon, a full moon. My first walk in a snowy forest since I was a child. Sunrise seen through frozen eye-lashes. Ice. Ravens. Woodpeckers. Deer. A wolf.Catch a sparkling fragment of air, early morning air full of woodpecker and tiny spangles. 22° halo, with rainbow circumzenithal arc, and later a lower arc. I kneel under a birch tree and mark the shadows cast by twigs by pressing a plant stalk longwise into the snow. I kneel and watch the earth move. I kneel and am surrounded by a rainbow shattered into minute fragments, as the sun pours onto the snow. Walking, resting or sleeping in the snow. In the evening sewing tiny gloves and deformed hands, wax dipped. Very hard work, takes so much time with my hands they way they are.

main, gant, rose/llaw, mennyg, rhosyn
small gloves with additions from walks: deer hair, lichen, bark...
small hands each not perfect (felt dipped in beeswax)
rosebuds previously sew to my fingers in water:ice felt tubs
displayed outside under the bushes where the rosebuds had been buried for most of the two weeks - except when squirrels dug them up.
walking to sleep: to find my cradle.
each day I went out and found somewhere to sleep. I made a book with water colours and text. an extract of text:
Sous un pin, je dors. Dans la neige profunde sous les branches, je me recroquexille dans la neige profonde. Je suis reposée sous l’épaisse neige qui tombe. Je me couche sous le bleu, dans lair immobile. Je somnole. Je danse. Je retiens mon chagrin. Je suis coucée le regard tourné vers les grands arbres et la neige qui tombe. Je chante.
I see a wolf loup blaidd. I see three grouse. A raven grand corbeau gigfran follows me; flies low over me as I curl into deep snow by cedar trees. I do not sleep sa i’n cysgu, but am rested under thick falling snow.
Dw i’n crwydro’r byd yn chwilio am nghrud.
unfinished entry
Marcheurs des Bois website


A long bad dream goes grey and feathery I wake sit up and see thick snow falling outside. I come back when I am hungry, hands, arm and feet hurt as I walk. I begin to realise my limitations. The steaming river frosting the alders. The evidence of mammals criss-crossing the snow. Clear skies of stars. A cradling new moon, an egg moon, a full moon. My first walk in a snowy forest since I was a child. Sunrise seen through frozen eye-lashes. Ice. Ravens. Woodpeckers. Deer. A wolf.Catch a sparkling fragment of air, early morning air full of woodpecker and tiny spangles. 22° halo, with rainbow circumzenithal arc, and later a lower arc. I kneel under a birch tree and mark the shadows cast by twigs by pressing a plant stalk longwise into the snow. I kneel and watch the earth move. I kneel and am surrounded by a rainbow shattered into minute fragments, as the sun pours onto the snow. Walking, resting or sleeping in the snow. In the evening sewing tiny gloves and deformed hands, wax dipped. Very hard work, takes so much time with my hands they way they are.

main, gant, rose/llaw, mennyg, rhosyn
small gloves with additions from walks: deer hair, lichen, bark...
small hands each not perfect (felt dipped in beeswax)
rosebuds previously sew to my fingers in water:ice felt tubs
displayed outside under the bushes where the rosebuds had been buried for most of the two weeks - except when squirrels dug them up.
walking to sleep: to find my cradle.
each day I went out and found somewhere to sleep. I made a book with water colours and text. an extract of text:
Sous un pin, je dors. Dans la neige profunde sous les branches, je me recroquexille dans la neige profonde. Je suis reposée sous l’épaisse neige qui tombe. Je me couche sous le bleu, dans lair immobile. Je somnole. Je danse. Je retiens mon chagrin. Je suis coucée le regard tourné vers les grands arbres et la neige qui tombe. Je chante.
I see a wolf loup blaidd. I see three grouse. A raven grand corbeau gigfran follows me; flies low over me as I curl into deep snow by cedar trees. I do not sleep sa i’n cysgu, but am rested under thick falling snow.
Dw i’n crwydro’r byd yn chwilio am nghrud.
unfinished entry
Marcheurs des Bois website
Saturday, 31 May 2003
Crwydro, with ointment

Tu hwnt y ddeall dyn
(beyond the understanding of man)
unfinished entry
crwydro website
link to introduction of project
Labels:
installation,
live art,
ointment,
performance
Tuesday, 31 December 2002
ointment III
I walk I walk I walk, toe to heel, 2 hours, in the dark around a dim smouldering fire, in tthe old bone house, where animals have walked round and round turning the grind stone. I get so used to the dark that I am lost if someone shines a light; I cannot see my path.
Ritual or what? Ritual or not? I decide to stop and it is exactly the two hours I intended.
Across the way a domestic shrine under a lean-to, in a spring, candles and dressing table.
Ritual or what? Ritual or not? I decide to stop and it is exactly the two hours I intended.
Across the way a domestic shrine under a lean-to, in a spring, candles and dressing table.
Tuesday, 31 July 2001
the order of domestic memory
@ ointment II, Llandudoch/St. Dogmaels, Sir Benfro, Cymru/Wales
installation & performance




The Domestic Order of Memory
The Memory of Domestic Order
The Order of Domestic Memory
Order
Organise
Arrange
Every part in its right place
A place for everything
Trefn Ddomestig Cof
Cof Trefn Ddomestig
Trefn Cof Domestig
Trefnu
Cymhennu
Tacluso
Pod darn yn ei briod le
Lle i bopeth
ointment website: events
installation & performance




The Domestic Order of Memory
The Memory of Domestic Order
The Order of Domestic Memory
Order
Organise
Arrange
Every part in its right place
A place for everything
Trefn Ddomestig Cof
Cof Trefn Ddomestig
Trefn Cof Domestig
Trefnu
Cymhennu
Tacluso
Pod darn yn ei briod le
Lle i bopeth
ointment website: events
Labels:
domestic,
installation,
live art,
ointment,
performance,
photovisual
Wednesday, 28 February 2001
reconcile I & II
@ ointment I, Parc Y Pratt Farm, Sir Benfro, Cymru/Wales
performance & installation

reconcile /,ri:k¥n,sail/ v.tr 1 Make friendly again after estrangement. 2 (usu. in refl. or passive; foll. by to) make acquiescent or contentedly submissive to (something disagreeable or unwelcome) (was reconciled to failure). 3 settle (a quarrel etc.). 4 a harmonize; make compatible. b show the the compatibility of by argument or in practice (cannot reconcile your views with the facts) reconcilement the bringing to agreement things at variance


Reconcile I
Installation and performance in a grain store at Parc y Pratt. The inspiration came from finding the ground of the space covered with owl pellets: a barn owl was residing in the loft of the next space. I brought together the place and the story of Blodeuwedd from the Mabinogion (ancient Welsh legends). The story of a woman created from flowers as reward for a man, who is later punished by being banished into the night as an owl. I feel she needs to be flowers and owls. I used movement and the action of sewing owl feathers and flowers onto a hanging of black silk gauze.
The installation could only be viewed in three specific ways: through the feeder hole at the bottom, climbing the vertical ladder to the top or by looking at the mirror that over hung the space.
Reconcile II
In the barn next door I sat on a stool and sewed rosebuds and owl feathers onto my fingers. There was no barrier between the audience and me in this case.
additional text here
"And the room was full of petals from skylight and rafters, and all about them a fragrance, and petals, flowers falling, broom, meadowsweet, falling, flowers of the oak."
ointment website: events
performance & installation

reconcile /,ri:k¥n,sail/ v.tr 1 Make friendly again after estrangement. 2 (usu. in refl. or passive; foll. by to) make acquiescent or contentedly submissive to (something disagreeable or unwelcome) (was reconciled to failure). 3 settle (a quarrel etc.). 4 a harmonize; make compatible. b show the the compatibility of by argument or in practice (cannot reconcile your views with the facts) reconcilement the bringing to agreement things at variance


Reconcile I
Installation and performance in a grain store at Parc y Pratt. The inspiration came from finding the ground of the space covered with owl pellets: a barn owl was residing in the loft of the next space. I brought together the place and the story of Blodeuwedd from the Mabinogion (ancient Welsh legends). The story of a woman created from flowers as reward for a man, who is later punished by being banished into the night as an owl. I feel she needs to be flowers and owls. I used movement and the action of sewing owl feathers and flowers onto a hanging of black silk gauze.
The installation could only be viewed in three specific ways: through the feeder hole at the bottom, climbing the vertical ladder to the top or by looking at the mirror that over hung the space.
Reconcile II
In the barn next door I sat on a stool and sewed rosebuds and owl feathers onto my fingers. There was no barrier between the audience and me in this case.
additional text here
"And the room was full of petals from skylight and rafters, and all about them a fragrance, and petals, flowers falling, broom, meadowsweet, falling, flowers of the oak."
ointment website: events
Labels:
blodeuwedd,
flowers,
installation,
lilies,
live art,
ointment,
performance,
reconcile,
roses
Thursday, 15 October 1998
exploration of (s)(p)lace
Thursday, 30 April 1998
possible/impossible transformation




transitionalthreadtransformationtransitionalthreadtransform
a careful experiment in possible/impossible transformation in the courtyard, UWIC, Howard Gardens, Cardiff from 14.00 until it is finished or failed.
chrysalis, 1. a quiescent pupa of a butterfly or moth 2. a preparatory transitional state (L f. Gk khrusallis - idos f. khrusos gold) cocoon, a silky case spun by many insect larvae for protection as pupae.
I sewed myself into the fabric but the thread only went over the body not under. I went right up my torso and neck and some of my arms before sewing myself into it.
To release myself I cut the fabric only, I am very flexible of the arm (of the body, hyper mobility they call it) and could get the scissors to behind my head. I then cut down the back of body and limbs and emerged. It was very peaceful and concentrated, with a passing audience. Slightly damp. No-one saw me emerge.
chrysalis, 1. a quiescent pupa of a butterfly or moth 2. a preparatory transitional state (L f. Gk khrusallis - idos f. khrusos gold) cocoon, a silky case spun by many insect larvae for protection as pupae.
I sewed myself into the fabric but the thread only went over the body not under. I went right up my torso and neck and some of my arms before sewing myself into it.
To release myself I cut the fabric only, I am very flexible of the arm (of the body, hyper mobility they call it) and could get the scissors to behind my head. I then cut down the back of body and limbs and emerged. It was very peaceful and concentrated, with a passing audience. Slightly damp. No-one saw me emerge.
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